> Of particular note is the “remux” community, dedicated to seamlessly stitching together the best video and audio streams from different releases without any generational loss of quality.
That’s not what “remux” means. A remux is the original data from, for instance, a Blu-ray disc, transferred into a new container without re-encoding. What the author is referring to would be called a “hybrid remux”.
One thing to note, is that the library of congress has the power to create the exceptions to the DMCA. The EFF lobbies for expansion of the exact powers the article is advocating for.
https://www.eff.org/issues/dmca-rulemaking
Kinda related, but I hate how the big studios go after old videogames and try to take them down. It looks like, in the future, this era will be called the "digital dark ages", not because all the stuff got lost to bitrot, but because all the stuff became illegal to own so that the studios could sell the new stuff again and again.
The home-computer world is especially interesting for old games. If something made it to a Nintendo or Sega console, it's probably very well-preserved, but I'd be surprised if even 1% of all video games made were released on consoles.
There's an unfathomable number of games that were released on the Commodore 64, Amiga, Atari ST, and most famously DOS that were made by one or two people, self-published, and have now completely fallen into obscurity to a point where it's not 100% clear who owns the copyright and who to give money even if you wanted to, which has led to the "probably-illegal-but-not-really-enforced" term of "Abandonware".
I honestly kind of think that Abandonware should be codified into law in the same way that trademarks are; if you're not actively giving me a legitimate way to buy your game then I don't think it should be illegal for me to get it illegitimately.
It should be. There are lots of good ideas of modifying copyrights so that its not the automatic 70 year after life of author (or what every it is now).
>unfathomable number of games that were released
One of the problems is that there are too many and hard to find curate to separate the good from the meh.
Isn't that one of the whole points of copyright? So the authors can print new copies and not have to compete with other people releasing copies they made?
Nothing is stopping people from keeping an archived copy until copyright expires.
Agreed, and it was already like this in the 2000's (when I got involved in the abandonware scene). I remember the owner of Home of the Underdogs getting constantly in battles with takedown notices for games she only intended to preserve. Not piracy in the sense of "losing tons of money", nobody but enthusiasts cared about these games anymore.
I am am an amateur recordist, I absolutely love to bootleg concerts and gigs and things, as in: make my own recordings of live music and so on. I have shared everything in the appropriate places, also. I believe it is an essential artistic expression: to record the nature of the world around you for the future.
So, I do it a bit.
I think this ethos can be applied in many ways and with different media; preservationism is a high value objective. The future needs it, kinda.
Yep, definitely! I know of instances where professional archives and libraries work with specialized torrent sites to archive content directly and these days that's sometimes necessary with how content is locked down, games are dependent on a server or DRM schemes don't make archiving easy.
You frequently hear of cases where the last remaining official copy got lost and only due to some fan service (https://news.ycombinator.com/item?id=49694382) data could be recovered.
I’m absolutely obsessed with it. For me it’s driven purely from childhood nostalgia. In particular, Macintosh games. I want, and want others to have that warm excitement of nostalgia when they re-discover something forgotten.
This is true but people also use it as a magic shield to (needlessly IMO) justify their piracy, even though they are 1) only downloading things they happen to like and 2) don’t even follow a basic 3-2-1 backup protocol, let alone anything remotely resembling SOP for preservation.
I bet not even 1 in 1000 people pirating are doing it primarily as a preservation exercise.
Interesting they chose The Good, The Bad and the Ugly, probably because of the 60th anniversary?
They didn't mention that probably the Mondo release of that film is the 'best' one? Someone else did a good version count of all releases: https://originaltrilogy.com/topic/id/136114
Curious what the upcoming DCP release is sourced on
I've only barely skimmed the surface of the preservation world, but the irreverent attitude taken by the industry towards audiovisual media releases frustrates me greatly. That more accurate older releases are made unobtainable in favor of newer botched versions just adds insult to injury.
I'm grateful that diminishing returns were hit earlier with audio, though, which limits the blast radius for music releases. Most classic albums have a range of different masterings available on audio CD, many of which are available cheaply secondhand, which makes getting ahold of a good/accurate release considerably less daunting.
Movies and especially TV shows on the other hand are a mess. It shouldn't be a miracle to get a high-quality, faithful official remaster like the one Star Trek: TNG got.
I hate the way film and music pirates gatekeep everything. There are private trackers for games and software but they don't try to keep any content exclusive, you get faster downloads without random bad quality uploads and malware cluttering the site in exchange for keeping a good ratio.
I'm not subscribed to right now, but I have been for a very long time before that. I like their curated approach a lot and it doesn't feel like you are getting drowned in crap like many other services.
It really depends what kind of films you like though, if you are looking for fast paced shows or the latest Hollywood productions you will not like it. If you enjoy going to indie cinemas, you'll like it.
I've been signed up a few months at a time over the years. It has tons of independent movies from the US/UK/France but also from lesser exposed countries (think Danish, Greek, Thai, Polish, Norwegian…). It's mostly films released recently or in the last 20 years. It also has some older classics (Memories of Murder, Carrie, Dogma, Obsession, Carlito's Way…) but there aren't that many and they're often only there temporarily.
It's worth doing the 30 days trial. I sign up for a month or two whenever I feel like the library has at least 10 films I'd want to watch.
They have mostly independent films. So numerous dramas and slow-burn types. I like it. I've found some great movies on there, but also have found a bunch of duds. The problem is the pricing. Right now my main services are Criterion Channel and Eternal Family.
That’s not what “remux” means. A remux is the original data from, for instance, a Blu-ray disc, transferred into a new container without re-encoding. What the author is referring to would be called a “hybrid remux”.
There's an unfathomable number of games that were released on the Commodore 64, Amiga, Atari ST, and most famously DOS that were made by one or two people, self-published, and have now completely fallen into obscurity to a point where it's not 100% clear who owns the copyright and who to give money even if you wanted to, which has led to the "probably-illegal-but-not-really-enforced" term of "Abandonware".
I honestly kind of think that Abandonware should be codified into law in the same way that trademarks are; if you're not actively giving me a legitimate way to buy your game then I don't think it should be illegal for me to get it illegitimately.
>unfathomable number of games that were released
One of the problems is that there are too many and hard to find curate to separate the good from the meh.
Nothing is stopping people from keeping an archived copy until copyright expires.
Very smooth way of using your torrenting skills on your CV.
I'm not one of those people. :D But I do know one; he's a professional librarian.
So, I do it a bit.
I think this ethos can be applied in many ways and with different media; preservationism is a high value objective. The future needs it, kinda.
You frequently hear of cases where the last remaining official copy got lost and only due to some fan service (https://news.ycombinator.com/item?id=49694382) data could be recovered.
I bet not even 1 in 1000 people pirating are doing it primarily as a preservation exercise.
They didn't mention that probably the Mondo release of that film is the 'best' one? Someone else did a good version count of all releases: https://originaltrilogy.com/topic/id/136114
Curious what the upcoming DCP release is sourced on
GoodBadUgly_FTR_S-235_EN-XX_10_4K_20140330_DLA_IOP_OV
GoodBadUgly_FTR_S-235_EN-XX_10_4K_PRKC_20160613_MPS_IOP_VF
I'm grateful that diminishing returns were hit earlier with audio, though, which limits the blast radius for music releases. Most classic albums have a range of different masterings available on audio CD, many of which are available cheaply secondhand, which makes getting ahold of a good/accurate release considerably less daunting.
Movies and especially TV shows on the other hand are a mess. It shouldn't be a miracle to get a high-quality, faithful official remaster like the one Star Trek: TNG got.
https://forums.digitalspy.com/discussion/2181751/dvds-with-t...
It really depends what kind of films you like though, if you are looking for fast paced shows or the latest Hollywood productions you will not like it. If you enjoy going to indie cinemas, you'll like it.
It's worth doing the 30 days trial. I sign up for a month or two whenever I feel like the library has at least 10 films I'd want to watch.
https://youtu.be/eCIXkBEoqeM?si=Ts0enOPy3z9fVBg6
(Link is just to a review of it, you need to torrent it if u want to watch it (its 41GB lol))